Publications

Images du Labyrinthe : L’atelier surréaliste. Carte blanche à Audrey Guttman — cover

Images du Labyrinthe : L’atelier surréaliste. Carte blanche à Audrey Guttman, 2024

Published by Christie’s Paris
32 p., 21 x 24 cm Written and edited by Audrey Guttman Designed by Louna Rouxeville Includes a centerfold that can be used as a board to play Surrealist Snakes and Ladders, two detachable pawns, two detachable postcards, Surrealist word games, and eight poems by the author.
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Doll House Blues — cover

Doll House Blues, 2024

Published by Galerie Mighela Shama, Geneva
40p., 21 x 15 cm Limited edition of 200 copies + 10 deluxe copies with collages, stamped and numbered.
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I’ll Be Your Mirror — cover

I’ll Be Your Mirror, 2022

Published by Ketabi Projects, Paris
40p, 24 x 18,5 cm Text by Boris Bergmann Graphic design by Lily Allegra First edition of 300 copies.
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Al di là del volto — cover

Al di là del volto, 2021

Published by Futura, Pietrasanta
Text by Chiara Vecchiarelli
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Where the Years Do Not Turn The Pages (Laddove Gli Anni Non Girano Le Pagine) — cover

Where the Years Do Not Turn The Pages (Laddove Gli Anni Non Girano Le Pagine), 2021

Published by Gli Ori Editori
Text by Maddalena Pelù Leporello, 24 pages
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Making Arrangements — cover

Making Arrangements, 2020

Self-published
36 pages. 52 x 37 cm open, 37 x 27 cm closed Limited edition of 250 signed and numbered copies. Includes a centerfold that can be pulled apart into a standalone poster & framed. Sustainably printed in Paris on newspaper presses, using durable paper & solvent-free ink. "In Making Arrangements, Audrey Guttman combines collages and poems she has written. This is the first time that the artist has brought the two mediums together. One exists without the other, but together they are complementary. The words are supported by images that the artist takes care to leave in a state as close to their original nature as possible. Swathes of bright colour act as vases for the black-and-white floral arrangements. Audrey Guttman’s arrangements work based on contrast: between untamed nature and the ordered nature of ikebana, a highly codified art that is shaken up by the artist, and between plants and humans, with plants acting as characters and human bodies adopting the whimsical nature of flowers." - PEN Magazine
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